{"id":107,"date":"2021-01-25T15:17:29","date_gmt":"2021-01-25T15:17:29","guid":{"rendered":"http:\/\/clbaileymusicologist.com\/BV\/?page_id=107"},"modified":"2021-01-25T15:17:29","modified_gmt":"2021-01-25T15:17:29","slug":"anna-johnson-catherine-katherine-kate-johnson","status":"publish","type":"page","link":"https:\/\/clbaileymusicologist.com\/BV\/anna-johnson-catherine-katherine-kate-johnson\/","title":{"rendered":"Anna Johnson, Catherine (Katherine, Kate) Johnson"},"content":{"rendered":"\n<p>The large collection of music owned by Anna and Catherine Johnson includes two of their own binder&#8217;s volumes, six boxes of individual pieces (some of which were formerly bound and have been disbound either deliberately or over time), a copy of Bertini&#8217;s piano tutor, and a binder&#8217;s volume that belonged to Aggie Stockton. (The only Aggie Stockton I have located in Natchez in 1850 was a white woman, and whether she owned the binder&#8217;s volume now in the Johnson collection has yet to be determined.)<\/p>\n\n\n\n<p>This collection includes music purchased in New Orleans and Natchez. William Johnson and Anna&#8217;s aunt Lavinia Miller tried out pianos to purchase at Mr. Myer&#8217;s music store in 1850, and some of the girls&#8217; music formerly belonged to Lavinia. These facts support Black musicians&#8217; participation in the music economy, as do others outlined in the sources below.<\/p>\n\n\n\n<p>The music typifies that sold in the area: dance music, songs, transcriptions from popular operas. Much of it has markings, such as fingerings, and some pages have been carefully sewn together with thread or pinned.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"http:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3280-1-768x1024.jpeg\" alt=\"\" class=\"wp-image-111\" srcset=\"https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3280-1-768x1024.jpeg 768w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3280-1-225x300.jpeg 225w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3280-1-1152x1536.jpeg 1152w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3280-1-1536x2048.jpeg 1536w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3280-1-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"http:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3305-768x1024.jpeg\" alt=\"\" class=\"wp-image-109\" srcset=\"https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3305-768x1024.jpeg 768w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3305-225x300.jpeg 225w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3305-1152x1536.jpeg 1152w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3305-1536x2048.jpeg 1536w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3305-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"http:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3304-768x1024.jpeg\" alt=\"\" class=\"wp-image-110\" srcset=\"https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3304-768x1024.jpeg 768w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3304-225x300.jpeg 225w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3304-1152x1536.jpeg 1152w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3304-1536x2048.jpeg 1536w, https:\/\/clbaileymusicologist.com\/BV\/wp-content\/uploads\/2021\/01\/IMG_3304-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p>The name H.K. Bell also appears on several pages.<\/p>\n\n\n\n<p>Briefly contextualized in a <a rel=\"noreferrer noopener\" href=\"http:\/\/clbaileymusicologist.com\/uncategorized\/anna-and-catherine-johnson-black-women-and-music-in-the-antebellum-south\/\" data-type=\"URL\" data-id=\"http:\/\/clbaileymusicologist.com\/uncategorized\/anna-and-catherine-johnson-black-women-and-music-in-the-antebellum-south\/\" target=\"_blank\">blog post <\/a>on my site, I describe the Johnson collection in &#8220;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.cambridge.org\/core\/journals\/journal-of-the-society-for-american-music\/article\/abs\/binders-volumes-as-musical-commonplace-books-the-transmission-of-cultural-codes-in-the-antebellum-south\/748175A547BAECAC322CEFFC57A06F9E\" data-type=\"URL\" data-id=\"https:\/\/www.cambridge.org\/core\/journals\/journal-of-the-society-for-american-music\/article\/abs\/binders-volumes-as-musical-commonplace-books-the-transmission-of-cultural-codes-in-the-antebellum-south\/748175A547BAECAC322CEFFC57A06F9E\" target=\"_blank\">Binder&#8217;s Volumes as Musical Commonplace Books<\/a>,&#8221; <em><a rel=\"noreferrer noopener\" href=\"http:\/\/siupress.siu.edu\/books\/978-0-8093-2960-1\" data-type=\"URL\" data-id=\"http:\/\/siupress.siu.edu\/books\/978-0-8093-2960-1\" target=\"_blank\">Music and the Southern Belle<\/a><\/em>, and <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.press.uillinois.edu\/books\/catalog\/54sbr6gx9780252043758.html\" data-type=\"URL\" data-id=\"https:\/\/www.press.uillinois.edu\/books\/catalog\/54sbr6gx9780252043758.html\" target=\"_blank\">Unbinding Gentility<\/a><\/em>. A more substantial investigation of the Johnsons and their music is forthcoming.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The large collection of music owned by Anna and Catherine Johnson includes two of their own binder&#8217;s volumes, six boxes of individual pieces (some of which were formerly bound and have been disbound either deliberately ...<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-107","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/pages\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":3,"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/pages\/107\/revisions"}],"predecessor-version":[{"id":113,"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/pages\/107\/revisions\/113"}],"wp:attachment":[{"href":"https:\/\/clbaileymusicologist.com\/BV\/wp-json\/wp\/v2\/media?parent=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}